There are a few key strategies that make fan activist campaigns like The Harry Potter Alliance successful: invest deeply in the literary themes, prize weirdness, honor the power of cohesive online communities and link to larger organizations that can implement the big ideas of plot-fueled real world advocacy. It’s essential that fans see their own power, or as Slack puts it, “We all yearn to be told we are magical.”
Emphasis mine.
Finnick Odair, Catching Fire by Suzanne Collins (via beautifulinside-andout
)
(via beautifulinside-andout)
The Brothers Karamazov, Fyodor Dostoevsky, p. 220. (via thisisntlisa
)
(via booklover)
W.S. Maugham (via pavorst
)
(via booklover)
But independent presses are all dedicated to finding and presenting the best of books, dedicated to the books in and of themselves and to the promise of the authors.
Obviously, I think the answer is yes: Independent publishing delivers authors and readers from the tyrannies that the conglomerated publishing industry often exerts over new and growing talent. Aren’t all decentralizing forces good for an industry (any industry) and good for the community — in this case the community of readers? Certainly decentralization is good in a world as artful as ours.
" — Interview with Unbridled Books Publisher Fred Ramey | Psychology Today (via rachelfershleiser)(via rachelfershleiser)
(Source: bibliofila, via booklover)